cloth 1-56639-438-4 $89.50, Apr 96, Available
paper 1-56639-439-2 $33.95, Apr 96, Available
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256 pp
6x9
48 halftones
More than at any time since the 1920's the issues of immigration and ethnicity have become central to discussions of American society and identity. Becoming American, Becoming Ethnic addresses this contemporary debate, bringing together essays written over the past eighteen years by college students exploring their ethnic rootsfrom the experiences of their forbears to the place of ethnicity in their lives.
The students range from descendants of Europeans whose families immigrated several generations ago to Asian and Latin American immigrants of more recent decades to African-Americans and Hispanicssome have more than one ethnic heritage to grapple with, while others have migrated from one place to another within the United States. Together their voices create a dialogue about the interplay of ethnic traditions and values with American culture.
These are moving personal reflections on the continuities and changes in the ethnic experience in the United States and on the evolving meaning of ethnicity over time and across generations. Despite vocal concerns in recent years about ethnic divisiveness, these student writings show how much many young Americans share even in their differences.
Excerpt available at www.temple.edu/tempress
Acknowledgments
Introduction
Part I: Family Traditions
1. Life after Tercera Virginia Coreia
2. Coming to Terms with My Heritage Tanya Moldzinski
3. The Family History of a Fourth-Generation Pole Sara Kindler
4. My Paternal Forebears Michele Kitko
5. The Loss of My Family's Ethnic Ties and the Strengthening of Their American Identities Rachel Koch
6. What's a Tyrolean? The Immigration of Mario Leonardi to America Karen A. Gryga
7. Turetzky Family Assimilation: From Grandparents to Father to Me Marc Turetzky
8. Changing Worlds: The Immigration Experiences of My Paternal Grandparents Stephanie A. Courtney
9. Roots Paper Raffi Ishkanian
10. A Family History Bob Vaage
11. My Austrian-Italian Ethnicity Susan Carnicelli
12. East Side Story: What West Side Story Left Out Josephine Burgos
13. Three Generations in America Gloria Genel
14. Where I Stand and Why La Toya Powell
Part II: Our Parents, Ourselves
15. A Challenge of Loyalty Lynn Sugamura
16. A Bicultural Experience Shana R. Rivas
17. My Family History Cecilia Pineda
18. Being an Other Melissa Algranati
19. Discovering My Ethnic Roots Sang-Hoon Kim
20. The Experiences of My Parents in Italy and America Peter Bosco
21. Getting to Know My Parents So That I May Know Who I Am Lizette Aguilar
22. Finding a Home Ann Fenech
23. The Assimilation Problems of My Family in America Soo Y. Kim
Part III: Ethnicity in Our Lives
24. The Oreo Cookie: Black on the Outside, White on the Inside Cathy Thompson
25. Should I or Shouldn't I? Jamie Dominguez
26. My Experience with Immigration/Assimilation in America Catherine Tagudin
27. Leaving Home Anh-Dao Nguyen
28. Being Indian in America: My Ethnic Roots and Me Lila Shah
29. My Immigrant Experience Vladimir Sinayuk
30. Triple Identity: My Experience as an Immigrant in America Puwat Charukamnoetkanok
31. Two Poems Rose Rameau
Afterword
Appendix: Sample Roots Paper Topic
Notes on Contributors
Thomas Dublin, Professor of History at the State University of New York at Binghamton, has taught courses on immigration and ethnicity for nearly 20 years. He has published several books, most recently Immigrant Voices: New Lives in America, 1773-1986 and Transforming Women's Work: New England Lives in the Industrial Revolution. |
Race and Ethnicity
Immigration Studies
Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig.
Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig, is concerned with the traditional and nontraditional ways in which historical ideas are formed. In its attentiveness to issues of race, class, and gender and to the role of human agency in shaping events, the series is as critical of traditional historical method as content. Emphasizing that history is itself an interpretation of material events, the series demonstrates that the historian's choices of subject, narrative technique, and documentation are politically as well as intellectually constructed.
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