cloth 1-56639-104-0 $54.50, Nov 93, Out of Stock Unavailable
336 pp
6x9
18 halftones
"Levenson and Natterstad's painstaking research yields a wealth of details concerning Hicks's activities as a writer and political activist."
Publishers Weekly
Set against the turbulent decades of the 1930s, '40s, and '50s, this absorbing biography of the much-neglected intellectual Granville Hicks unfolds in the age of rising fascism, the Great Depression, leftist politics, World War II, the Cold War, McCarthyism, and American anti-intellectualism.
Born in 1901 in Exeter, New Hampshire, Hicks was greatly influenced by the New England tradition of moral consciousness and political idealism. The authors trace his career as a journalist for The New Masses, his tumultuous relationship with communism, his struggle with the request to name names before the House Un-American Activities Committee, and his return to small-town life.
Hick's remarkable writing career with The New Leader and the Saturday Review are closely studied, along with his pioneering works on American and British literature. The biography places this giant of modern literature and criticism among the remarkable generation of writers that included Edmund Wilson, Malcolm Cowley, John Steinbeck, and Alfred Kazin, and marks his influence on the early career of Flannery O'Connor, Bernard Malamud, and others.
Illustrations
Preface
1. A New England Childhood
2. Seeds of Discontent
3. On the Liberal Left
4. A Radical At RPI
5. As Marxist Critic
6. Portrait of a Revolutionary
7. Off the Main Road
8. Raising the Party Banner
9. On Behalf of the CP
10. A Red in Adams House
11. A Shattered Dream
12. Political Soundings
13. Discovering the Common Man
14. An End and A Beginning
15. New Literary Horizons
16. From Canwell to McCarthy
17. The Old House Office Building
18. Bearing Witness
19. Through a Glass Darkly
20. Meeting the SR Deadline
21. Literary Friendships
22. At the Mansion in Saratoga Springs
23. The Final Years
Notes
Selected Bibliography
Index
Leah Levenson is an independent scholar residing in Worchester, Massachusetts.
Jerry Natterstad is Professor of English at Framingham State College. They are the co-authors of Hanna Sheehy-Skeffington: Irish Feminist.
History
Biography/Memoir/Autobiography
Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig.
Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig, is concerned with the traditional and nontraditional ways in which historical ideas are formed. In its attentiveness to issues of race, class, and gender and to the role of human agency in shaping events, the series is as critical of traditional historical method as content. Emphasizing that history is itself an interpretation of material events, the series demonstrates that the historian's choices of subject, narrative technique, and documentation are politically as well as intellectually constructed.
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